Jadwiga Sobczak: Polski dramat w Serbii w latach 1990—2006 pobierz Rozwiń
Rezime: Istraživanja prevodâ poljske drame na jezike zemalja nastalih posle raspada bivše Jugoslavije postaju interdisciplinarni diskurs, jer je na tom području pozorišna recepcija znatno bogatija od književne, a poljska drama i pozorište zauzimaju posebno mesto u istoriji kulture južnoslovanskih zemalja posle II svetskog rata. Period od 1990—2006. godine, koji u ovom članku obuhvata analizu izdanja poljskih drama u Srbiji, specifičan je za Balkan na tlu Evrope zbog rata koji se odvijao. U vezi sa situacijom koja je paralisala kulturnu delatnost, tih godina je u Beogradu objavljena samo jedna drama u prevodu Biserke Rajčić (Noć Helvera I. Vilkvista) i četiri odlomka savremenih komada na stranicama novosadskog časopisa Polja u prevodu Zorana Đerića (Porno generacija P. Jurka, Lucija i njena deca M. Pruhnjevskog, Od danas ćemo biti dobri P. Sali, Testosteron A. Saramonoviča). Autorka u radu skreće pažnju na translatološke dileme u pozorišnim scenarijima, koji su veoma udaljeni od književnih prevoda (takođe neobjavljenih) i postulira da se primene teatrološka istraživanja kako bi se upotpunila slika o prisustvu poljske drame na mnogim slovanskim jezicima i kulturama.
Summary: The research on translation of Polish drama to the languages of former Yugoslavia countries is becoming an interdisciplinary discourse. This is because the theatrical reception is wider than the literery one and Polish drama and theatre plays an important role in the history of the culture of South Slavonic countries after the World War II. The period between 1990 and 2006, that is analysed in this article of Polish drama publications in Serbia, is especially important for Balkans because of undergoing war. Due to the situation that paralyses cultural activity, therewas only one drama published in Belgrad translated by Biserka Rajcic (I. Villquist Helver’s Night) and there were four excerpts of contemporary dramas in the magazine Polja translated by Zoran Djeric (P. Jurek Porno Generation, M. Pruchniewski Łucja and her children, P. Sala Good from now on, A. Saramanowicz Testosteron). The author emphasizes translation dilemmas that emerged in theatre scenarios that are far away from literery translations also the ones that weren’t published. She also suggests looking at theatrological research that would show more of Polish drama in many Slavonic languages and cultures.
